Tuesday, June 30, 2009

Preview Philip Morsberger: Time Travelers


PHILIP MORSBERGER: TIME TRAVELERS

is @ Gallery 80808/Vista Studios
808 Lady St., Columbia, SC
Oct. 16 – 27, 2009


For installation shots of the exhibition,


For more information, contact Wim Roefs: (803) 238-2351 / wroefs@sc.rr.com


For an essay about Philip Morsberger related to the Time Travelers exhibition, CLICK on the text to the left.










Many of the works below are in the TIME TRAVELERS exhibition:








Remembrance Of Things Past, 2002–2005
Oil on canvas
59 x 27 1/8 in.
$ 9,250














The Girl Next Door, 1999 – 2009
Oil on canvas
28 ¼ x 19 in.
$ 3,850













Steppin’ Out!, 2006
Oil on canvas
48 x 36 in.
$ 10,000














Supplication, 1996–2008
Oil on canvas
40 x 26 in.
$ 6,750














Sons And Lovers, 2009
Oil on canvas
22 x 28 in.
$ 4,250











Loaded Words, 1998
Oil on canvas
33 5/8 x 21 ¼ in.
$5,000














Layerings, 1986 – 2009
Oil on muslin
35 ¼ x 23 in.
$ 5,700














Last Call, 2002–2008
Oil on canvas
30 x 24 in
$ 5,000














Jes’ Folks, 1980 – 2008
Oil on canvas
39 ½ x 29 ½ in.
$ 7,250














Hats Off!, 2004–2007
Oil on canvas
48 x 36 in.
$ 10,000













Golden Girl, 2007–2009
Oil on canvas
24 x 30 in.
$ 5,000










Airborne, 1990–1992
Oil on canvas
48 x 42 in.
$ 11,250














La Barricade, 2006-2007
Oil on canvas
48 x 36 in.
$ 10,000














Exit Stage Right, 2002-2003
Oil on canvas
48 x 36 in.
$ 10,000














Bagatelle, 2002
Oil on canvas
48 x 36 in.
$ 10,000














Blue Boy, 1999-2008
Oil on canvas
43 1/2 x 16 1/4 in.
$ 5,000













Oxford 2006, No. 8, 2006
Acrylic on paper
16 1/4 x 23 1/4 in.
$ 3,000










The Thinker, 2002-2008
Oil on canvas
30 x 24 in.
$ 5,000














Daydreams, 2008-2009
Oil on canvas
19 1/2 x 17 1/2 in.
SOLD














The Sign Of The Four, 2005-2009
Oil on wood
26 x 20 in.
$ 3,750
SOLD













That-A-Way, 2002-2006
Oil on canvas
30 x 24 in.
$ 5,000















The Gathering Storm, 1999-2001
Oil on wood
23 3/4 x 20 in.
$ 3,500














Blithe Spirits (No. 2), 1984 – 2005
Oil on canvas
69 x 33 in.
$ 12,500













Dog Day Afternoon, 2003-2005
Oil on canvas
47 x 68 1/2 in.
$ 16,000








Evolution Of A House Painter, 2004-2005
Oil on canvas
45 3/4 x 68 5/8 in.
$ 16,000








Ghosts, 2004
Oil on canvas
47 3/4 x 68 3/4 in.
$ 16,000









Golgotha, 1982-1992
Oil on canvas
41 x 60 in.
$ 13,500








Looking Up, 1980-1982
Oil on canvas
27 3/4 x 38 in.
$ 6,750








Metamorphosis, 1995-2002
Oil on canvas
39 1/2 x 68 1/8 in.
$ 16,000









Rococo Redux,
Oil on canvas
48 x 36 in.
$ 10,000














Text/Subtext, 1999-2001
Oil on canvas
69 x 39 3/4 in.
$ 16,000














The Man Himself, 1998-2001
Oil on canvas
76 1/8 x 44 3/8 in.
$ 17, 500














The Striped Hat Band, 1992-2006
Oil on canvas
69 x 36 1/4 in.
$ 16,000















First Steps, 1999-2005
Oil on canvas
69 x 44 in.
$ 16,000












The Voice Of The Turtle, 1997-2004
Oil on canvas
69 1/4 x 42 in.
$ 14,500









The Hunting Ridge Follies, 1985-1996
Oil on canvas
68 3/4 x 33 3/4 in.
$ 12,500











Reflections, 2001-2002
Oil on canvas
40 x 68 3/4 in.
$ 14,500









Maelstrom, 1990
Oil on canvas
69 x 44 1/2 in.
$16, 000














Ivy Cavendish, 1958
Oil on masonite
24 x 15 3/8 in.
$ 5,000














His Girl Friday, 1990-2001
Oil on canvas
68 x 43 3/4 in.
$ 16,000














Golgotha No. 2, 1994-2002
Oil on canvas
69 1/8 x 30 1/8 in.
$ 12,000














Ghosts No. 2, 2002-2005
Oil on canvas
68 1/4 x 41 in.
$ 14,500














Emergence, 1992-2002
Oil on canvas
69 x 35 in.
$ 13,000












Cornish Fantasy No. 1, 1976
Oil on canvas
11 7/8 x 24 in.
$ 5,000








Ascension, 1999-2001
Oil on canvas
68 3/4 x 44
$16,000














Reflection
















Young Woman Seated, 2001
Oil on canvas
30 x 24 in.
$ 5, 000













Tuxedo-Junction, 1998
Oil on canvas
43 x 69 in.
$ 15,000









Tick-Tock!, 2005-2006
Oil on canvas
48 x 36 in.
$ 10,000










Works of art by Philip Morsberger are available at if ART Gallery, 1223 Lincoln Street, Columbia, SC.

Contact Wim Roefs at if-art-gallery@sc.twcbc.com or (803) 255-0068/(803) 238-2351.

Friday, June 12, 2009

CLIP OF PHILIP MORSBERGER'S STUDIO

Below is a clip of Philip Morsberger's studio, with Philip in the background telling a tale to his visitors.

video

Sunday, June 7, 2009

PHILIP MORSBERGER & DAVID YAGHJIAN


if ART Gallery

presents at

Gallery 80808/Vista Studios

808 Lady St., Columbia, S.C.

Philip Morsberger – Time Travelers

&

David Yaghjian – Dancing Man

Oct. 16 – 27, 2009

Artists’ Reception:

Friday, Oct. 16, 5 –9 p.m.

Opening Hours:

Saturday, 11 a.m. – 5 p.m.

Sunday, 1 – 5 p.m.

Weekdays, 11 a.m. – 7 p.m. and by appointment

For more information, contact Wim Roefs at if ART:

(803) 238-2351 – wroefs@sc.rr.com

With its two simultaneous solo exhibitions at Gallery 80808/Vista Studios in Columbia, S.C., if ART Gallery introduces the widely revered painter Philip Morsberger. Morsberger is the former head of the Oxford University art department in England; he recently joined if ART Gallery. Along with the Morsberger’s show, Time Travelers, if ART presents Columbia native and resident David Yaghjian’s solo exhibition Dancing Man. Yaghjian’s will be his first solo exhibition in Columbia since 2000, when he exhibited at the now-defunct Morris Gallery. The exhibition will also be Yaghjian’s first solo exhibition featuring his “every man” series, which he began to develop some five years ago.

Morsberger (b. 1933) will be showing a selection of the vigorously painted and drawn figurative/representational works inhabited with cartoon-like and other creatures for which he is known. The exhibition also will include Morberger’s non-objective paintings, in which he develops an abstract-expressionist approach that also often shows through in his representational work. In the 2007 book Philip Morsberger: A Passion for Painting, author Christopher Loyd writes of Morsberger’s “mythical universe, comprising a whole cast of fantastical creatures, both human and animal. . . All these creatures inhabit a turbulent, chaotic world that is hugely energized and dominated by a mood of restlessness.” About Morsberger’s use of colors, Loyd writes: “Color is a distinctive feature of the recent narrative paintings . . . The colors sing on the canvas.” Baltimore native Morsberger studied at Oxford in the mid-1950s and from 1971-1984 was the university’s Ruskin Master of Drawing. He used the prestigious position to develop and head a now renowned, full-blown art department at Oxford University. In the United States, Morsberger has taught at Harvard University, Dartmouth University, UC Berkeley, the California College of Arts and Crafts, Miami University and other institutions. He retired from teaching after a five-year stint as Williams S. Morris Eminent Scholar in Art at Augusta State University in Augusta, Ga. His work is in several museums, including the San Francisco Museum of Art.

Yaghjian (b. 1948) will present a selection of his most recent “Everyman” paintings. Many of the works present metaphoric and symbolic, often psychologically pregnant scenes showing a man edging toward post-middle age, and physically somewhat resembling Yaghjian, going through “real” or fantastic trials and tribulations. “The images,” Yaghjian says, “are a way of acknowledging the below-the-surface currents. Stating in a full frontal position the obvious and not so obvious. A man is a man angry, sad, fat, dying, elated, lecherous, leprous, deflated, pompous, hilarious…on his head, with a dog, with a monkey. Sometimes a woman accompanies him. They are figurative pieces, fantasies, what I call ‘semi narratives’. They are scenes of a midpoint in a situation.”

Yaghjian has exhibited across the Carolinas, including at the Blue Spiral I Gallery in Asheville, N.C., if ART Gallery and the Florence (S.C.) Museum of Art. In Atlanta, where he used to live, Yaghjian has shown in the Spruill Center Gallery, the Right Brain Gallery and other venues. He also painted two murals in the Georgia capital. Yaghjian holds a BA from Massachussetts’ Amherst College and studied in New York City at the Art Students League and the School of Visual Art. Among his instructors were Fairfield Porter, Leonard Baskin, Will Barnett and Chaim Koppelman.

Saturday, May 16, 2009

Installation shots Time Travelers exhibition


Philip Morsberger: Time Travelers

an if ART Gallery exhibition
@
Gallery 80808/Vista Studios
808 Lady St., Columbia, SC

Oct. 16 – 27, 2009










Thursday, May 7, 2009

PHILIP MORSBERGER Bio

Baltimore native Philip Morsberger (b. 1933) studied at Oxford in the mid-1950s and from 1971-1984 was the university’s Ruskin Master of Drawing. He used the prestigious position to develop and head a now renowned, full-blown art department at Oxford University. In the United States, Morsberger has taught at Harvard University, Dartmouth University, UC Berkeley, the California College of Arts and Crafts, Miami University and other institutions. He retired from teaching after a five-year stint as Williams S. Morris Eminent Scholar in Art at Augusta State University in Augusta, Ga. His work is in several museums, including the San Francisco Museum of Art.